As our audiences are consuming more content on more platforms than ever before, you need to develop stronger content. This new state-of-the-art facility equips you to produce more and better content whether you are shooting short or long format, indoors or outdoors, we have it covered.
Two identical, fully-integrated native fly-pack system for studio or location use, configured natively to any desired frame rate featuring the following complement and stations.
REFERENCE, TIMING, DISTRIBUTION AND NETWORKING
Ross Carbonite 16 input 1 M/E switcher on custom-built console with silicone gel wrist-rests
Dual Sony LMD-A240 24” PVW & PGM monitors (router-fed, but normaled to PVW/PGM)
Four Ikegami BS-98 CCUs, remotely controlled
AUDIO AND INTERCOM SYSTEMS
original-spec and additional
50,000 square feet of wired production and talent support areas include:
Twelve suites (secured, firewalled and virus-protected), built around an Avid ISIS 5500 SAN with dual 64Tb engines. Includes:
Two Avid Symphony and Four Avid Media Composer workstations, all featuring DNxIO breakout boxes, GenArts Sapphire plug-in, and aggregate-link (2x1GbE) Ethernet to ISIS
Two Graphics workstations with Adobe-CC (full suite)
Two Color Correction workstations with Adobe-CC (full suite), DaVinci plus Color Artist consoles
Two QC stations with Adobe-CC suite, Avid Media Composer, as well as Tektronix WVR-5200 scope and rasterizer.
Two Harris DL-870 legalizers (with two inputs and outputs each), all routable through the house router, with web-based controls available from any post workstation for legalization through live playback and record.
One 5.1 mix room, acoustically-tuned, with regulated ISO tech power, ProTools (Mac Pro), Avid S6 EUCON control surface, 16 x 16 I/O and SyncHD
Full in-house engineering and Avid support