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sERVICES & FAcilities

 

Our two 15,000 square-foot sound stages are fully set with the latest production, post-production, lighting and grip equipment.

Whether you are shooting short or long format, indoors or outdoors, we have it covered.

Let’s talk needs

 

LM1 & LM2

Two identical, fully-integrated native fly-pack system for studio or location use, configured natively to any desired frame rate featuring the following complement and stations.

REFERENCE, TIMING, DISTRIBUTION AND NETWORKING

  • Ross SRG-4400 Master Clock with SMPTE-318M reference, word clock, and LTC outputs
  • Ross OG-3 Frame with multiple Distribution Amplifiers

TD STATION

  • Ross Carbonite 16 input 1 M/E switcher on custom-built console with silicone gel wrist-rests

  • Dual Sony LMD-A240 24” PVW & PGM monitors (router-fed, but normaled to PVW/PGM)

  • Four Ikegami BS-98 CCUs, remotely controlled

CAMERA STATIONS

  • Four Ikegami HDK-65C cameras with BS-98 CCUs and 100-ft SMPTE fiber cables
  • Fujinon HD lenses (HA 19x7.4) with dual handheld and pedestal-arm remote controllers
  • Ikegami 7” OLED Viewfinders
  • AJA KiPro Mini camcorder “shoulder-mount” option w/AB Battery & CF media (1 camera only)

DIRECTOR STATION

AUDIO STATION

SHADING STATION

AUDIO AND INTERCOM SYSTEMS

  • original-spec and additional

JIB

  • JimmyJib Triangle 13’ w/remote head kit, model 4V Triax 110V with Case
  • Heavy Duty Tripod 1/2-13 with field case
  • Stanton 3-Wheel dolly frame
  • Crab Dolly Wheel Kit w/ Stabilizers – 3 Wheel Dolly with Case
  • Ballast Bag – Triangle
  • Remote Head Kit Hard Case

BROADCAST IT & TELECOM
CAPABILITIES AND SERVICES

  • Evertz house generator (bars/tone, BB SMPTE 318-M, TLS, LTC & World Clock, all GPS-synchronized).
  • Blackmagic 40x40 HDSDI house router.
  • Two-channel MATV (source-selectable, fed by house router, off-air and streaming sources available).
  • Multiple servers and large RAID storage shares for LFT (Signiant, Aspera, etc) hosting.
  • PBX and POTS telephony, with fixtures throughout the building including two copy/scan/fax Xerox machines
  • Gigabit Ethernet throughout, with AT&T IPFlex 500Mbp/s (burst) connection.  Wi-Fi throughout (802.11f).

LIGHTING & GRIP EQUIPMENT
AND SERVICES

  • Lighting & grip equipment
  • Full inventory available upon request
  • Full in-house lighting & grip support services

 

 

 

 

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UNLIMITED POSSIBILITIES

 

As our audiences are consuming more content on more platforms than ever before, you need to develop stronger content. This new state-of-the-art facility equips you to produce more and better content.

We can give you the space and the equipment you need to create what you imagine.

Let’s talk collaboration

 

PRODUCTION SUPPORT

50,000 square feet of wired production and talent support areas include:

  • 2 Green Rooms
  • 2 Hair and Make-Up Rooms
  • 24 Offices *Subject to availability
  • 12 cubicle areas *Subject to availability
  • 2 Conference Rooms *Subject to availability
  • 16 Dressing Rooms of which 6 have private restrooms
  • Wardrobe Area with washer and dryer
  • Prop Storage Area: 1,262 square feet
  • Commissary: 1,570 sq. feet
  • Carpentry Shop
  • 87 parking spaces *subject to availability

POST PRODUCTION FACILITY

Twelve suites (secured, firewalled and virus-protected), built around an Avid ISIS 5500 SAN with dual 64Tb engines. Includes:

  • Two Avid Symphony and Four Avid Media Composer workstations, all featuring DNxIO breakout boxes, GenArts Sapphire plug-in, and aggregate-link (2x1GbE) Ethernet to ISIS

  • Two Graphics workstations with Adobe-CC (full suite)

  • Two Color Correction workstations with Adobe-CC (full suite), DaVinci plus Color Artist consoles

  • Two QC stations with Adobe-CC suite, Avid Media Composer, as well as Tektronix WVR-5200 scope and rasterizer.

  • Two Harris DL-870 legalizers (with two inputs and outputs each), all routable through the house router, with web-based controls available from any post workstation for legalization through live playback and record.

  • One 5.1 mix room, acoustically-tuned, with regulated ISO tech power, ProTools (Mac Pro), Avid S6 EUCON control surface, 16 x 16 I/O and SyncHD

  • Full in-house engineering and Avid support