sERVICES & FAcilities

As our audiences are consuming more content on more platforms than ever before, you need to develop stronger content. This new state-of-the-art facility equips you to produce more and better content whether you are shooting short or long format, indoors or outdoors, we have it covered.

Our two 15,000 square-foot sound stages are fully set with the latest production, post-production, lighting and grip equipment.

We can give you the space and the equipment you need to create what you imagine.

Let’s talk collaboration

LM1 & LM2

Two identical, fully-integrated native fly-pack system for studio or location use, configured natively to any desired frame rate featuring the following complement and stations.

REFERENCE, TIMING, DISTRIBUTION AND NETWORKING

• Ross SRG-4400 Master Clock with SMPTE-318M reference, word clock, and LTC outputs
• Ross OG-3 Frame with multiple Distribution Amplifiers

TD STATION

• Ross Carbonite 16 input 1 M/E switcher on custom-built console with silicone gel wrist-rests

• Dual Sony LMD-A240 24” PVW & PGM monitors (router-fed, but normaled to PVW/PGM)

• Four Ikegami BS-98 CCUs, remotely controlled

CAMERA STATIONS

• Four Ikegami HDK-65C cameras with BS-98 CCUs and 100-ft SMPTE fiber cables
• Fujinon HD lenses (HA 19x7.4) with dual handheld and pedestal-arm remote controllers
• Ikegami 7” OLED Viewfinders
• AJA KiPro Mini camcorder “shoulder-mount” option w/AB Battery & CF media (1 camera only)

DIRECTOR STATION

AUDIO STATION

SHADING STATION

AUDIO AND INTERCOM SYSTEMS

• original-spec and additional

PRODUCTION SUPPORT

50,000 square feet of wired production and talent support areas include:

• 2 Green Rooms
• 2 Hair and Make-Up Rooms
• 24 Offices *Subject to availability
• 12 cubicle areas *Subject to availability
• 2 Conference Rooms *Subject to availability
• 16 Dressing Rooms of which 6 have private restrooms
• Wardrobe Area with washer and dryer
• Prop Storage Area: 1,262 square feet
• Commissary: 1,570 sq. feet
• Carpentry Shop
• 87 parking spaces *subject to availability

JIB

• JimmyJib Triangle 13’ w/remote head kit, model 4V Triax 110V with Case
• Heavy Duty Tripod 1/2-13 with field case
• Stanton 3-Wheel dolly frame
• Crab Dolly Wheel Kit w/ Stabilizers – 3 Wheel Dolly with Case
• Ballast Bag – Triangle
• Remote Head Kit Hard Case

BROADCAST IT & TELECOM
CAPABILITIES AND SERVICES

• Evertz house generator (bars/tone, BB SMPTE 318-M, TLS, LTC & World Clock, all GPS-synchronized).
• Blackmagic 40x40 HDSDI house router.
• Two-channel MATV (source-selectable, fed by house router, off-air and streaming sources available).
• Multiple servers and large RAID storage shares for LFT (Signiant, Aspera, etc) hosting.
• PBX and POTS telephony, with fixtures throughout the building including two copy/scan/fax Xerox machines
• Gigabit Ethernet throughout, with AT&T IPFlex 500Mbp/s (burst) connection.  Wi-Fi throughout (802.11f).

LIGHTING & GRIP EQUIPMENT
AND SERVICES

• Lighting & grip equipment
• Full inventory available upon request
• Full in-house lighting & grip support services

POST PRODUCTION FACILITY

Twelve suites (secured, firewalled and virus-protected), built around an Avid ISIS 5500 SAN with dual 64Tb engines. Includes:

• Two Avid Symphony and Four Avid Media Composer workstations, all featuring DNxIO breakout boxes, GenArts Sapphire plug-in, and aggregate-link (2x1GbE) Ethernet to ISIS

• Two Graphics workstations with Adobe-CC (full suite)

• Two Color Correction workstations with Adobe-CC (full suite), DaVinci plus Color Artist consoles

• Two QC stations with Adobe-CC suite, Avid Media Composer, as well as Tektronix WVR-5200 scope and rasterizer.

• Two Harris DL-870 legalizers (with two inputs and outputs each), all routable through the house router, with web-based controls available from any post workstation for legalization through live playback and record.

• One 5.1 mix room, acoustically-tuned, with regulated ISO tech power, ProTools (Mac Pro), Avid S6 EUCON control surface, 16 x 16 I/O and SyncHD

• Full in-house engineering and Avid support